Page 9 - Reader's House Magazine Issue 49
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 Ace Bryann’s ‘False Impressions’ masterfully intertwines political intrigue, romance, and personal growth. With Derek’s royal struggles, Nicola’s transformation, and Taya’s enigmatic allure, this gripping sequel captivates readers. Bryann’s vivid storytelling and complex characters make this a thrilling, emotional journey. A must-read for fans of suspenseful, character-driven contemporary romance and political drama.
 the financial industry with the demands of family life, Bryann has turned a lifelong passion for writing into a creative outlet that resonates with readers world- wide. The honesty with which Bryann shares the challenges of imposter syndrome and the joy of discovering purpose through storytelling is a reminder that even the most accomplished au- thors are, at their core, dreamers who dare to believe in the power of their words.
In this exclusive interview, Ace Bryann opens up about the themes that drive their work, the creative process that fuels their
Ace Bryann masterfully combines romance, mystery, and psychological depth, creating unforgettable characters and stories that captivate and inspire readers.
balance the fine line between conveying deep, emotional themes while keeping the narrative engaging and fast-paced?
I do a lot of editing and re-writing to ensure my story
is hitting all the points I need
it to. I will go back and read through the draft, asking myself questions such as: is the scene moving and engaging? Does this scene add value to the plot? Is there any dialogue taking place?
challenge tends to be Imposter Syndrome; the feeling that my work doesn’t stack up, that
I don’t belong among great writers. I’ve found that many authors feel this way.
I’ve discovered that when
I get out of my head and remember why I began writing in the first place: for me and my own creative need, not only is my writing better, but it comes easier and more quickly.
Can you share a bit about your creative process? Do you have any rituals or habits that help you stay focused and inspired while writing?
I tend to get my best ideas when I’m driving for longer periods of time. That’s actually how I began writing my first novel. When you’re driving, you really have nothing to do except think, (well, and pay attention
to the road, of course), and most of the scenes within my stories play out while I’m driving. On the road, I’m able to have these quiet moments to think through what are the characters saying
to one another? Does it make sense? Where are they?
I can’t say I’ve ever had “writers block,” but when I’m stuck on a plot point, taking a long drive where I can dis- connect from the distractions
of my other work, family, and electronics usually helps me get through it.
ter arc is very important, and I not only look to incorporate this into my work, but it’s something I measure a good read by.
My favorite character arc within my own work is with Christine. Through both
novels, you see her grow from an uncertain art director to a powerhouse of a woman who is very self-assured. Whether it’s a main character, like Christine, or a minor character, like Timothy, each one has their own journey through the story.
I am personally very moti- vated to find my purpose; my
I try to think through what the character in the scene might be doing, what do they look like right now, what are they wearing. It’s important to ensure each character and their movements are visualizing
calling in life. Hopefully it’s writing! But I have to believe that many other in- dividuals are also seeking their own purpose in life too, and I feel this concept speaks to many people.
for the reader, but it’s equally important to pull back at times and give the reader quiet, slower moments of description and reflection.
  imagination, and the lessons learned along the way. It’s a conversation that offers not only a glimpse into the mind of a remarkable author but also an invitation to reflect on our own journeys of purpose and transformation.
Your novel has been praised for its unique character development. How do you approach creating characters that feel both relatable and dynamic?
I wanted to explore the idea of living for a purpose. So I developed many of my main characters to not only express a desire to find a purpose in life, but to grow into a person worthy of owning that purpose. Charac-
I suppose that’s stereotyp- ical of romantic fiction, and I want to appeal to
I write romantic fiction with an edge of thriller to it. I choose, from a physi- cal perspective to make my characters very attractive.
What challenges have you faced in your writing journey, and how have they shaped the way you approach storytelling today?
the masses. However, when
it comes to character traits, thoughts, emotions, and choices, I want them to appear relata-
ble to everyday people. Often, when I’m writing dialogue, my thought process is: “what is the natural response, here?” Then I’ll think through does it sound reasonable of a level-minded, mature adult with the experience of this particular character. I also enjoy giving each of my characters flaws, nervous habits, or personality differences that readers will instantly recognize within each character. These small details are important to bringing a character to life off the page.
As a writer, how do you
Although I have always loved and enjoyed writing, I recently took it on as a serious creative outlet only 6 years ago, (I’m 44). I actually never set out to publish a book. A story formed within me, and as I began to
put it to paper, the novel just manifested over a span of two and a half years. Even then I was nervous about publishing it, wondering if it was really good. My book reviews have validated that it is, for which I’m profoundly grateful.
I’ve learned so much within my journey as an author. I’ve connected with other authors, which has been rewarding and eye-opening. But my biggest
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