Page 47 - Reader's House Magazine Issue 53

How has your background in chemistry influenced your approach to writing historical fiction, particularly in integrating detailed research into your narratives?
My background in chemistry provides
a basis on how I research historical books, academic papers, and archaeological findings to support my work. The Celts left almost no written records. Their historical events were supplanted by Greek and Roman historians, archaeological findings, and medieval writers who spun their Christian beliefs into the Celtic mythology they wrote about.
Your ‘Curse of Clansmen and Kings’ series intertwines Celtic mythology with Roman history. What inspired you to blend these two distinct cultures in your storytelling?
The series is inspired by Boudicca, a Celtic warrior queen and druidess who united the Britons in a rebellion against the Romans
in AD 61. The Celts held women in higher esteem than the empire-building Romans. The cultural conflict between the prosaic, realistic Romans and the mystical, nature-oriented Britannic tribes provides a major conflict in the series.
Catrin, the protagonist in your series, is a Celtic warrior princess with Druidic abilities. How did you develop her character, and what aspects of her journey do you believe resonate most with readers?
Linnea Tanner captivates readers with her intricate storytelling, richly imagined worlds, and masterful blend of history, mythology, and fantasy.
The series is a coming-of-age story of Catrin who must transform from a naïve Celtic princess into a formidable warrior queen. She is tested in ordeals so she can gain newfound wisdom and power to overcome her treacher- ous half-brother, King Marrock. Modern-day audiences will relate to her emotions of love, grief, and heartbreak as she courageously fac- es what seems insurmountable circumstances.
In ‘Skull’s Vengeance’, Catrin faces her sorcerer half-brother, King Marrock. Can you share insights into crafting their complex sibling rivalry and its significance to the overarching plot?
The sibling rivalry between Catrin and King Marrock drives the overarching plot. The first book in the series, Apollo’s Raven, begins when Catrin’s father reveals that she is the raven and Marrock is Blood Wolf in the curse cast by the previous queen, Marrock’s mother: “I prophesy your future queen will begat a daughter who will rise as a raven and join your son, Blood Wolf, and overtake your kingdom.”
Catrin must break the curse by altering the future which may have unforeseeable conse- quences. Not only is the tale about her conflict with Marrock, but it is also about her internal struggle not to transform into someone as evil as him as she gains new magical powers.
Your short story ‘Two Faces of Janus’
is set in Ancient Rome. How does this narrative connect to or diverge from the themes explored in your main series?
One of the antagonists in the Curse of Clansmen and Kings series is Lucius Antoni- us, the father of Catrin’s secret husband (Mar- cellus Antonius). Little is known about Lucius except he was the son of Iullus Antonius and grandson of Marcus Antonius (Mark Antony) and was banished to Gaul after his father’s death. In Two Faces of Janus, Lucius must demonstrate his fealty to Augustus Caesar by witnessing the suicide of his father who is condemned to die for his treasonous adultery with the emperor’s daughter. This tragic scene haunts Lucius throughout his life and impacts Marcellus’s fate in the series.
Having travelled to various archaeological sites for research, can you discuss a particular location that profoundly impacted your writing and how it influenced specific scenes or settings?
An eleven-mile hike on the Dover Cliffs inspired the first scene of Catrin spotting war- ships that suddenly appearing out of the mist in Apollo’s Raven. The Roman lighthouse at the Dover castle evoked the image of a for- tress being built by King Marrock with the aid of Romans in Skull’s Vengeance. The ruins of the Amphitheatre of the Three Gauls in Lyon, France elicited an image of Catrin parading up the steep road to combat as a female gladiator at the arena in Amulet’s Rapture.
The series draws inspiration from Arthurian legends and the legacy of Cleopatra and Mark Antony. How have these historical and mythical elements shaped the themes and character dynamics in your work?
Skull’s Vengeance by Linnea Tanner is a compelling blend of historical fiction and fantasy. With richly descriptive prose, it follows warrior queen Catrin’s dangerous quest to defeat her sorcerer half-brother. Featuring complex alliances, emotional depth, and unique magical elements, it’s a thrilling conclusion to the Curse of Clansmen and Kings series.
historically plausible. For example, the back- drop of my series is based on evidence that Romans profoundly influenced British politics prior to their occupation of Britannia in 43 AD. Further, they should weave in fantastical elements as though it is the reality experienced by the characters.
Although the series takes place almost 500 years earlier, the cultural clash between the Celts and Romans are pivotal to the storyline. Some of Merlin’s magic such as shapeshift- ing, controlling nature, and appearing and disappearing in a magical fog are depicted
in the books. Before the Roman occupation
of Britain in 43 AD, Britain may have been
a client state like Cleopatra’s Egypt under Roman influence but ruled independently by local monarchs. The conflict of love and duty is a similar theme in the series as the legacy of Mark Antony and Cleopatra.
What advice would you offer to aspiring authors aiming to blend historical accuracy with elements of fantasy in their storytelling?
My advice is to research the period and ascertain whether the events in the story are
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