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COVER DIALOGUE
PAPAVER ROSES
A whimsical dreamscape unfolds as a figure in a fluffy pink garment interacts with oversi- zed flowers, creating an ethereal atmosphere that blurs the line between fashion and nature.
world through a lens of infinite possibilities.
Your work often intertwines themes of femini- nity, the human body, and technology with orien- tal metaphors. How do you use these metaphors to challenge or enhance traditional narratives of gender in your photography?
INVISIBLE, 2020
An evocative exploration of presence and absence, ‘Invisible, 2020’ captures the essence of what is seen and unseen, inviting viewers to ponder the hidden layers of reality.
conversation that not only transcends cultural boundaries but also redefines femininity in a way that harmonizes tradition with progress.
You’re currently conducting research on posthu- manism, particularly exploring gender through a nonhuman perspective in photography. How does this research inform your artistic practice, and how do you envision posthuman concepts reshaping our understanding of identity and gender in art?
Han Yang is a visionary artist
whose work transcends boundaries, redefining identity and challenging traditional narratives with profound innovation.
26II WOWWART
In my photography, I use oriental metap- hors to challenge and expand traditional gender narratives by incorporating elements of Chinese culture into contemporary rep- resentations of femininity. I often draw on cultural symbols like ancient Chinese script, mythical creatures, and traditional garments, which embody strength, transformation,
My research on posthumanism informs my artistic practice by allowing me to challenge conventional notions of identity and gender. Posthumanism extends the concept of the “self” beyond human limitations, embra- cing the influence of technology, artificial intelligence, and the environment on identity formation. In my photography, I often merge human bodies with mechanical or abstract elements, dissolving the boundaries of gender and biological traits. This exploration of nonhuman perspectives highlights gender
and resilience. These symbols serve as a foundation for reinterpreting femininity in a modern context.
By combining these symbols with futu- ristic and technological imagery, I aim to portray women as powerful and autono- mous, moving away from conventional passive depictions. Technology, in my work, symbolizes evolution—indicating that gender and identity are not static, but rather fluid and ever-changing. The juxtaposition of ancient and modern elements creates a visual
as fluid and evolving, rather than binary
or fixed. I envision posthuman concepts reshaping art by promoting identities that are hybrid, interconnected, and no longer defined by traditional physical or social constraints,
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