Page 40 - Mosaic Digest Magazine

DAVID OSBALDESTON
The Influence of Heritage in Contemporary Art
David explores the dynamic inter- play of images and words through his innovative collage and print- making techniques
David Osbaldeston discusses his artistic process, the significance of scale in D his work, and the themes of identity and value in his
upcoming publication.
avid Osbaldeston, whose identity and perception. With a keen eye for the innovative approach to collage interplay of forms, he transforms the act of ma- and printmaking invites viewers king into a form of social commentary, inviting us to reconsider the boundaries to reflect on our own positions within the fabric between words and images. Os- of society. In this exclusive interview, Osbal-
baldeston’s work stands as a testament to the deston shares insights into his creative process, power of visual storytelling, marrying the the significance of scale, and the motivations
Art & Culture
Osbaldeston’s artistic practice embodies a unique synthesis of historical influences and modern techniques, as he navigates the intricate relationships between disparate elements. His belief that drawing is a hidden language that ope- rates from within the nervous system permeates his work, revealing the layered complexities of
39 II MOSAIC DIGEST
spontaneity of collage with the meticulous craftsmanship of intaglio etching. Through his dynamic use of scale and material, he challenges traditional notions of value, class, and identity, creating a dialogue that reso- nates deeply with contemporary audiences.
behind his upcoming publication, “A Pastiche of Different Techniques.” Prepare to be inspired by an artist whose work is as thought-provoking as it is visually stunning.
How does collage serve as a medium for exploring the relationships between images and words in your work?
It’s a way to put images together. Words are images. My interest in collage deals simply with the re-arrangement of separate realities.
It is a form of open play, so I think with my hands as much as my head. I’m always prepared
D“rawing is the basis of everything I do. It is like
a hidden language that operates directly out of the nervous system.”